Top 10 Best Jhs Mini Foot Fuzz V2 Reviews & Comparison | Updated

In this article, we’ll be looking at each of these jhs mini foot fuzz v2 in detail. This website collects data from 68976 different reviews to give you an idea of which jhs mini foot fuzz v2 is really the best. We’ll discuss their features, prices, and other important information to help you decide which one is right for you. So without any further delay, let’s take a look at the best jhs mini foot fuzz v2 in 2023.

Top-rated Jhs Mini Foot Fuzz V2 Comparison 2023

Bestseller No. 1
JHS Mini Foot Fuzz V2 Fuzz Guitar Effects Pedal
  • From gated, low-gain splat to almost infinite sustaining buzz, cover a lot of ground with very little fuss and a whole lot of attitude
  • The controls are as simple as it gets with Volume and Fuzz knobs as well as a toggle for high or low gain settings
  • Crank the Volume and leave Fuzz down low to give you lower-gain, vintage-style fuzz
  • Crank the Fuzz to find all the cutting and splatty tones you need for any riff or lead line
  • In the – mode, the toggle gives you a low-gain mode where you get vintage broken-speaker type sounds
Bestseller No. 2
JHS Mini Foot Fuzz V2 Silicon Fuzz Pedal with 3 Patch Cables
  • GUITAR PEDAL BUNDLE INCLUDES: The JHS Fuzz Pedal for Guitar and Bass, with 2-way Gain Switch and Volume and Fuzz Controls with 3 Patch Cables
  • MINI FOOT FUZZ V2 SILICON FUZZ PEDAL: Fuzz Pedal for Guitar and Bass, with 2-way Gain Switch and Volume and Fuzz Controls
  • ULTRA-COMPACT PEDAL: From classic rock to contemporary fusion, fuzz has been applied to guitar signals to weave a unique musical texture — either by itself or to aggravate the input of an already overdriven tube amp
  • 6-INCH (3-PACK): MXR Pedalboard Patch Cable 3-pack with Right-Angle 1/4" Connectors
  • PEDALBOARD PATCH CABLES: Each cable is 6 inches long and is outfitted with rugged right-angle plugs
Bestseller No. 3
Jhs Colour Box V2 Preamp
  • A full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument and microphone compatibility
  • The Gain section controls the overall volume of the unit, the amount of gain between the two internal gain stages, and the gain of each preamp stage in five stages
  • Using the new Hi/Lo switch, get ultra clean sounds without breakup when distortion is not needed or achieve a broad spectrum of overdrive, distortion, and fuzz sounds
  • A -20dB pad switch on the right side of the unit tame the volume for high output microphones when in XLR input mode
  • The new Shift knobs in the EQ section adjust the range of frequencies that the Treble, Middle, and Bass knobs control to give you precision control over the EQ
Bestseller No. 4
JHS Mini Foot Fuzz Guitar Effects Pedal
  • Simple-to-use Volume and Fuzz controls are all you need
  • From nasty and spitting to smooth and massive tones
  • Measures 3.6" x 1.5" x 1"
  • Saves valuable pedalboard real estate
  • Standard 9V DC Negative power, consumes less than 100mA
Bestseller No. 5
Jhs Cheese Ball Fuzz Distortion Pedal
  • Has your standard volume, gain, and tone knobs found on most distortion fuzz boxes, but comes with an extra Mode selector knob that gives you four different overall tone and gain selections
  • In the “off” position, the tone knob is disengaged, giving you a bright and trashy fuzz/distortion sound
  • In the “1” position you have a mid-scooped sound that will give you a big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn't get in the way
  • The “2” position is a mid-boost sound that will cut through a mix like a hot knife through velveeta
  • The “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like Gorgonzola naturale
Bestseller No. 6
JHS Pedals 3 Series Fuzz (3SFUZZ)
  • Made in Kansas City USA
  • The perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up
  • Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones
  • The Fat toggle engages a bass boost for an overall fatter, more powerful sound
  • Runs on 9V DC Negative Center power and consumes 9mA
Bestseller No. 7
JHS Unicorn V2 Analog Univibe with Tap Tempo Guitar Effects Pedal
  • Uni-vibe Photocell Modulator w/ Tap Tempo
  • All-Analog signal path delivers a warm, touch-sensitive tone
  • Dry/wet toggle selects between a Uni-Vibe and Vibrato effect
  • Left two controls are your tone, right two controls are your speed, toggle is your effect
  • Requires standard 9V DC negative power
SaleBestseller No. 8
JHS Morning Glory V4 Overdrive Guitar Effects Pedal
  • Designed to be one of the most transparent overdrives out there
  • Adds mid to low level grit to Your crystal clean tone and tube like touch response to a less than ideal amp
  • Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly
  • Delivers all the tonal and responsive nuance that Your amp is missing, and Nothing that Your tone alReady has
  • Gain Control sweeps from Completely clean to rock ‘n’ roll
Bestseller No. 9
JHS Red Remote Footswitch
  • Use with select JHS Pedals to remotely activate the on board toggle found on the pedal itself
  • Acts as an on the fly switcher to give you more tonal options in any setting
  • Currently compatible with these JHS Pedals: Morning Glory V4, SuperBolt V2, Twin Twelve V2, Double Barrel V4
  • To use, plug it into the jack of the pedal labeled REMOTE; the red washer denotes the jack to plug the Red Remote into
Bestseller No. 10
JHS Pedals Packrat Distortion
  • The PackRat is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar’s sound
  • Artists from every genre have used the iconic tones in this unassuming black box to create their sounds
  • Building on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches
  • When you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift)
  • Power: Uses 9V DC Negative Center. Do not use more than 9V DC. Your warranty will be voided. 100mA max consumption
Bestseller No. 11
JHS Milkman Echo and Boost Guitar Effects Pedal
  • Delay tuned for slap-back junkies
  • Controls for Slap (time), Mix (delay level), Repeat (number of repeats), and EQ (tone of repeats)
  • Transparent boost is great for getting above the mix or pushing an amp into overdrive
  • Maximum delay time of about 240ms makes dialing in the perfect slap much easier
  • Operates at standard DC Negative 9V
Bestseller No. 12
JHS Smiley Fuzz Pedal
  • Volume control sets the overall output level of the effect; turn it up and it gets louder
  • Fuzz is the distortion control; the more you turn it clockwise, the more fuzz you create
  • On the side you will see a “Mode” control. Push this button to access our own unique “JHS Mode”
  • JHS Mode sends the Smiley into high gain / gated fuzz territory that you may never want to come back from
  • Legends like Jimi Hendrix, Jack White, Eric Clapton, David Gilmour, and Eric Johnson have used this circuit on countless albums. Now it's your turn
Bestseller No. 13
JHS Pulp N' Peel V4 Compressor Guitar Effects Pedal
  • 4 controls, added an EQ knob, Dirt toggle, XLR output
  • Improved detection circuit for smoother tones with added sustain
  • Dirt voiced to go from warm tone enhancement to gritty tonal foundation
  • High-quality buffer switch allows true-bypass or buffered operation for driving long cable runs
  • Standard 9V DC Negative power, consumes less than 100mA
SaleBestseller No. 14
JHS Pedals Overdrive Preamp, Black (OP)
  • The JHS Overdrive Preamp is a faithful replication of the unobtainable V1 of DOD’s most loved pedal
  • The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap.
  • The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive.
  • We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself.
  • This “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain/grit overall and more unique low/mids. This is a must-have addition to any DOD collector’s lineup, or for anyone who's curious about how it all started.
Bestseller No. 15
JHS Green Russian Pi Moscow Mod Fuzz Effects Pedal
  • Mode 1 for Lower Gain Synth-Style Gated Fuzz
  • Mode 2 for High Gain Oscillating Synth Fuzz
  • Toggle Switches for Mode 1, Mode 2 or Stock; +/- Gain
  • 60s Vintage Fuzz All The Way to Modern Sludge Metal Tones
Bestseller No. 16
JHS Pedals EHX Triangle Big Muff Pi Illuminati Mod Fuzz Pedal
  • Toggle up is Stock Triangle Muff distortion
  • Toggle up is Stock Triangle Muff distortion
  • Toggle middle provides a more open/powerful distortion
  • Toggle down will give you more saturation and full raging fuzz
  • The Gate knob lets you dial in the exact right amount of spitty gated fuzz
Bestseller No. 17
JHS Paul Gibert PG-14 Signature Distortion Pedal
  • This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at - low/moderate volume levels
  • A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry
  • This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination
  • The PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice! Just hit the footswitch!
  • The Paul Gilbert PG-14 runs on 9V DC negative center power
Bestseller No. 18
Bestseller No. 19
JHS Mute Switch
  • Latching Mute Footswitch

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